Nakai, Eaton & Clipman - Dancing into Silence (CR-7089)
Dancing into Silence interweaves individual songs to create a continuous musicscape featuring the haunting sound of Native American flute, the rich harmonies and timbres of harp guitar, and subtle textures of world ethnic percussion.
The panoramic harmonies of R. Carlos Nakai's flute with William Eaton's guitar, harp-guitar and lyre create visions of canyons and plains in these fifteen songs. Music haunting in its serenity, graceful in its simplicity and with a zen-like lyricism.
The world's favorite Christmas melodies in new arrangements for the cedar flute and Eaton's guitars. Ten carols including "What Child Is This?/Greensleeves," "I Saw Three Ships," "Angels We Have Heard On High," and "Silent Night" (with Navajo chorale).
1994 GRAMMY AWARD Finalist in Best Traditional Folk Music. R.Carlos Nakai and guitarist William Eaton create a diverse music that celebrates the rich traditions of the peoples of the Americas. With the Black Lodge Singers.
Native American flutist, R. Carlos Nakai, draws on his Navajo-Ute heritage in this fourth collaboration with guitarist William Eaton who adds the unique sounds of his hyraharp guitar, o'ele'n strings and spiral clef guitar to Nakai's cedar flutes. Joined by percussionist and are joined by percussionist Will Clipman they bring fourth a music born in the Sonoran desert and colored by sounds of the world. A BILLBOARD MAGAZINE Critic's Choice.
Red Wind conjures the subtle beauty and intimate grandeur of the singing desert, weaving aural fables of human and animal presence into enduring tableaus of landscape and sky...illuminate by musical influences from Native American and around the globe. Nakai, Eaton and Clipman discover the exotic in the familiar by journeying deeply into the sonic atmospheres of northern Sonora, blending celebration and lamentation with passionate eloquence.
Distant peoples and distant places come together in this musical exploration of Native America and Tibet. The sweet voices of the Native American flutes of R. Carlos Nakai and the Tibetan flutes of Nawang Khechog blend together against the rich sonic palette created by the magical harp guitar, lyre and spiral clef guitar of William Eaton and the pulsing world beat percussion of Will Clipman.
